Santa Clause is Coming to Town – Friday Ukulele Covers #9

We watched Santa comin’ to town on at the close of the Macy’s Thanksgiving Day Parade yesterday, so I thought this was an appropriate selection to kick off some holiday and Christmas tunes. Sorry for the less than perfect sound of my camera … I lost the audio on the separate recorder I had going and didn’t have time to go back. Hope you enjoy anyway! Merry Christmas! Happy Holidays!

Ukulele Bootcamp 3.0 Online: Free for 72 Hours

Black Friday! The online version of Ukulele Bootcamp 3.0 is now free with 45 days of unlimited access. This is a limited time offer (this weekend only), after which it will be offered for $15 (70% off the original asking price, starting Monday, November 29th at 9am Central). Register here.

Learn how to set S.M.A.R.T ukulele goals, all about ukuleles, how to learn a song, stretches and warmups, tuning, holding the ukulele, how to read chords, strumming, tablature, seven chords and a dozen songs plus bonuses.

What does the course cover?

1
Introduction

Intro & Ukulele Inspirations

Into the Great Wide Open : An Ukulele Wonderland vs. An Ukulele Wanderland and Getting Outfitted

What Does it Take to Learn a Song? and a Course Overview

2
Warmups

Vocal Warmups

Hand Stretches and Holding the Ukulele

3
Ukulele Anatomy & More

Ukulele Anatomy, String | Fret | Finger Numbers, Tuning, C Major Scale, Open Strings Song, The 3 Streams & The Song Journey

4
First Chords and Strums

Three Ways to Show Chords (C & C6)

Strum Shorthand (Thumb, Down/Up & Slap Strums) w/ First Strums

Row, Row, Row Your Boat (C & C6)

5
Next Chords & Songs

A 4th Way to Show Chords (Fadd9 & C7 Introduced) | Chord Pair Practice

Fadd9 & C7 Songs: Swing Low | Simple Gifts | Singing in the Rain

C & G7 Chord Pair

C & G7 Songs: He’s Got the Whole World in His Hands | Banana Boat Song (Day-O)

6
More on Tablature

The C Major Scale in Tablature

Ode to Joy Tablature

7
Three Chord Songs

Three Chords: C, Fadd9 & G7

Rock Around the Clock (C, Fadd9 & G7)

You are My Sunshine (C, Fadd9 & G7)

Twist & Shout (C, Fadd9 & G7)

Plain Vanilla F

Surfin’ U.S.A. (C, F & G7)

C, G & Am7 : Feelin’ Groovy

8
Conclusion & Bonus Content

Count Your Blessings (Old Gospel Hymn) – Friday Ukulele Covers #8

It is nearly Thanksgiving! As someone who has a long history of anxiety & depression, I sometimes find it hard to follow the advice of this song. How about you? However, when I really do reflect on the good things I’ve been blessed with, particularly my angel wife, my adorable son and the music in my life … I do find myself feeling more joyful. Also, I’m really looking forward to getting together with both our extended families in the coming week. Happy Thanksgiving!

#givethanks #Thanksgiving #gratitude #Ukulele #Ukes #FridayCovers

What a Wonderful World – Friday Ukulele Covers # 7

What a Wonderful World … I am so grateful for this song, which I first heard in high school when it made a comeback in the U.S.A., and am amazed at its ‘wonderful’ and somewhat frustrating history.

George Weiss was inspired by Louis Armstrong’s ‘ability to bring people of different races together’ and wrote the song with Bob Thiele specifically for the jazz legend. “Because he was gigging at the Tropicana Hotel, Armstrong recorded the song in Las Vegas … The session was scheduled to follow Armstrong’s midnight show, and by 2 am the musicians were settled and tape was rolling. Arranger Artie Butler was there with songwriters Weiss and Thiele, and Armstrong was in the studio singing with the orchestra. Armstrong had recently signed to ABC Records, and ABC president Larry Newton showed up to photograph Armstrong. Newton wanted a swingy pop song like “Hello, Dolly!”, a big hit for Armstrong when he was with Kapp Records, so when Newton heard the slow pace of “What a Wonderful World”, he tried to stop the session. Newton was locked out of the studio for his disruption, but a second problem arose: nearby freight train whistles interrupted the session twice, forcing the recording to start over. Armstrong shook his head and laughed off the distractions, keeping his composure. The session ended around 6 am, going longer than expected. To make sure the orchestra members were paid extra for their overtime, Armstrong accepted only $250 musicians union scale for his work.”

WOW! What a man! And can you imagine locking out the president of your new record label??? What guts for the entire team. Unfortunately, Newman had a temporary revenge by refusing to promote the record and it didn’t become a hit in the U.S.A. until it was included in a soundtrack in the 80s (though it was a #1 hit in the U.K. at its release).

This song has meant so much to me over the years and I have taught it to a number of my students (sheet music). It’s hard to remember sometimes, but it truly is a WONDERFUL WORLD! Thank you for reading!

Find this video on facebook at https://www.facebook.com/uke.n.me/videos/833324954002064 .

Free ‘Simple Gifts’ Ukulele Song Sheet

This song sheet is similar to my cover version of Simple Gifts, except that it just shows diagrams for the root position chords. In the cover I take the chorus up to the 5th fret inversions of the same chords. I also put a few F7 chords in the song sheet verses, but I only do this on the last verse in the recording (Dm7 on the first two) … sort of as a surprise harmony to spice up the last verse. Please consider supporting further creative work at https://www.patreon.com/uke

Here is the song in chordpro format:

{title: Simple Gifts}
{artist: American Hymn arr. by M. Ryan Taylor of UkulelePlay.com}

Tis the [F]gift to be simple, tis the [Dm7]gift to be free
Tis the [Gm7]gift to [C]come down [Gm7]where we ought to [C]be,
And [F]when we find ourselves in the [F7]place just right,
Twill [Gm7]be in the [C]valley of [Gm7]love and de[F]light.

{Start_of_Chorus}
[F]When true sim[Fmaj7]plicity is gained,
To [F7]bow and to bend we [Bb]shan’t be a[C]shamed,
To [F]turn, [Fmaj7]turn will [F7]be our delight,
Till by [Bb]turning, [C]turning we [F]come [Bb]round [F]right.
{End_of_Chorus}

Tis a [F]gift to be simple, tis a [Dm7]gift to be fair,
Tis a [Gm7]gift to [C]wake and [Gm7]breathe the morning [C]air,
And [F]every day to walk in the [F7]path we choose,
Tis a [Gm7]gift that we [C]pray we [Gm7]ne’er come to [C]lose.

{comment: Chorus}

Tis the [F]gift to be loving, tis the [Dm7]gift best of all,
Like a [Gm7]quiet [C]rain it [Gm7]blesses where it [C]falls,
And [F]when we have the gift we will [F7]truly believe
That tis [Gm7]better to [C]give than it [Gm7]is to re[F]ceive

{comment: Chorus}

Simple Gifts (American Hymn) – Friday Ukulele Covers #6

We celebrate Halloween & Christmas for a whole month (plus some), so why not Thanksgiving? Happiness is truly rooted in thanks for the simple things that we’re blessed with and this treasure of an American hymn from the Shaker tradition is something I’m thankful for; it’s certainly brought happiness to moments of my life.

Support further creative work at http://patreon.com/uke … Find more ukulele songs, materials, tutorials, reviews and tabs at http://ukuleleplay.com

Grim Grinning Ghosts (The Haunted Mansion) – Friday Covers #5

Love Potion #9 : Friday Covers #4

My Uke & Me cover of the the classic 50s rock tune, LOVE POTION #9, in one take with a little slapback reverb added for character. Free cue card (memorization aid) for patrons at https://www.patreon.com/posts/57740301

I’m playing a Kala 8-string baritone ukulele with a custom set of extruded nylon strings tuned gGCCEEAA (standard ukulele tuning). Last I checked, Sweetwater had some of these in stock. One of my favorite ukuleles to play.

This sheet music for this song is available in The Daily Ukulele songbook: https://amzn.to/3jsLoZG

Many more videos on my YouTube channel … https://www.youtube.com/channel/UCfHQZSi67P2MrqW4i5NOSAQ

Happy Halloween!

THE PIRATE KING TUNE – FRIDAY COVERS #3

A favorite tune from Gilbert & Sullivan’s The Pirates of Penzance! I posted a free PDF download of the song for my supporters at PATREON.COM/UKE.

So far, all the songs I’ve done this month are included in my songbook THE HAUNTED UKULELE, which you can pick up as part of a digital multi-pack, 8 full songbooks for the price of 2: UKULELE PLAY 8 SONGBOOK COLLECTION (Halloween, Christmas, Celtic, Camp Songs and more).

Until next week …

HAPPY HAUNTING!
M. RYAN TAYLOR

Uke & Me | UkulelePlay.com

Everybody Gets a Kitten – Live

Jeremy Messersmith performs Everybody Gets a Kitten from his album Obscenely Optimistic Songs For Ukulele: A Micro-Folk Record For the 21st Century And Beyond at a residency in the Detroit Lakes area. Jeremy offers the above album as a free PDF (which I’ve used with my Ukulele Youth classes, because it is awesome and kids love many of the songs) and includes places to listen as well at jeremymessersmith.com/songbook.

Blood on the Saddle – Friday Covers #2

I kicked off a new personal challenge to record 52 memorized covers beginning last week that I’m calling “FRIDAY COVERS” … the morbid song Blood on the Saddle (made famous by Tex Ritter) was released on my YouTube channel yesterday as week #2.

I posted a free PDF download of the song for my supporters at PATREON.COM/UKE.

This and last week’s song are both included in my songbook THE HAUNTED UKULELE, which you can pick up as part of a digital multi-pack, 8 full songbooks for the price of 2: UKULELE PLAY 8 SONGBOOK COLLECTION (Halloween, Christmas, Celtic, Camp Songs and more).

Upcoming songs I plan to record over the coming weeks include The Pirate King Tune from Pirates of Penzance, Grim Grinning Ghosts & Love Potion No. 9. Until then …

HAPPY HAUNTING!
M. RYAN TAYLOR

Uke & Me | UkulelePlay.com

How Old Should Kids be to Play the Ukulele?

I often talk to parents who’d like to start their 6 or 7 year old on ukulele. While I would never tell them not to do it; I’ve found that age of student needs patient, private instruction, rather than the group instruction I usually offer students.

Having taught lots and lots of kids … 7 is really just so very young. I know media is full of prodigy stories and tales of kids starting violin at 4, but my personal experience with kids in my ukulele youth choirs is that 8 or 9 is just more doable for most kids (95% or more). There is a certain level of coordination the ukulele requires (in many ways, violin is easier to start on). Kids need to understand and remember string numbers, fret numbers and finger numbers, have enough finger strength with those tiny hands to fret, as well as the coordination to strum with the other hand at the same time (even a simple thumb strum can be difficult for young kids). On top of that: vocals (because most parents are thinking of singing AND playing the ukulele when they envision their child playing ukulele).

If you’re going to start young, my suggestion is to do 1-chord songs. There aren’t a lot, but Row, Row, Row Your Boat is a good one for the C chord (also Rain, Rain, Go Away). By all means, let the child make up their own songs to go with a chord; a great move for this stage. Move on to two chord songs when he/she feels really comfortable and is ready to move on. There are lots of two chord songs (I’ve published three books of them).

An alternate route is to treat the ukulele purely instrumentally and teach how to pluck simple melodies (Rain Rain Go Away and Ring Around the Rosies can actually be played on the open strings). Some might think this would be more difficult, but it is actually easier; the student is only ever playing one note at a time and you don’t have to juggle what two hands are doing with vocals, unless you want to sing along with the melody you’re playing (in this case it is easier to do because the voice supports the melody you’re playing).

I’m currently teaching an 8-year old boy with a little diagnosed ADHD … so it is very, very slow going. I keep having to remind myself to be patient, and I’ve been teaching kids ukulele for a decade.

I personally think 9 is the sweet spot, but if you’re intent on starting younger, I think the above tips will help (paired with a lot of patience and love).

Thrice Tosse These Oaken Ashes (Thomas Campion – Renaissance Ukulele Cover) – 52 Covers Challenge #1

I’m singing this beautiful English renaissance song by Thomas Campion about trying to win over an indifferent potential lover with various spells and charms to kick off two things: 1) It’s October! and every Friday this month I’ll be releasing a new recording of a song worthy of the season. 2) I’m also kicking off a 52 covers challenge, where I’m going to be memorizing a song (not written by me) and recording it each week. I’ll also be releasing sheet music or a cue card (a memorization aid) for each of these songs at http://patreon.com/uke for my supporters. For those wondering, a renaissance ukulele is actually a 4-course renaissance guitar. Did you know GCEA tuning has been around since the 16th century?

A Year of Ukulele Covers : Memorization Challenge

A decade ago, I watched ukulele vocalist Victoria Vox do an entire year of ukulele covers, releasing one each week for a straight 52 weeks. She gave herself a few rules …

1. Learn the song the week of (no pre-preparing)
2. Must be performed live
3. Must be memorized

… and said, “this is my own personal challenge.”

She followed through and it made a big impression on me. I’ve wanted to do something similar ever since. What’s stopped me? Fear and busyness. Sometimes I think busyness can be something we use so we don’t have to face our fears … at least I think it is true for me.

I have worked up such a fear of memorization (no problem with melody and lyrics, but sometimes forget where chords fall when I’m getting lost in a song … this has happened in front of an audience and it is so mortifying). I really want to get over it. I talk about using S.M.A.R.T. goals in my Ukulele Bootcamp (part of the free preview), so, I’m going to ‘walk the walk’ and issue myself a S.M.A.R.T. challenge.

• Specific: Record a memorized song each week.
• Measurable: Songs are either memorized or they aren’t.
• Achievable: I’ve accumulated good tools, I believe I can do it.
• Relevant: I want to build a set list of songs I can perform without visual aids and I want to get over the fear that’s holding me back.
• Time-based: One song each Friday for a year.

I’m not going to give myself any kind of ‘no prep’ rule like Victoria did, that feels like too much pressure for me at present. Here is my personal challenge:

1. Work on the song with a cue card to aid in memorizing.
2. Video the memorized song without aids during the week.
3. Release the video each Friday on my Uke & Me YouTube, Facebook & Patreon channels.

I’ve made a list of songs that I want to memorize through the end of the 2021, kicking off with a 5-song Halloween set, with the first release on Friday, October 1st.

• Thrice Tosse These Oaken Ashes by Thomas Campion (English renaissance songwriter)
• Blood on the Saddle by Tex Ritter
• Oh, Better Far to Live & Die (The Pirate King Tune) by Gilbert & Sullivan
• Grim Grinning Ghosts (The Haunted Mansion) by Buddy Baker and X. Atencio.
• Love Potion No. 9 by The Searchers

If you’re interested in joining me in a similar personal challenge, feel free to comment and update with your progress on the posts each week.

Ukulele String Art Community Project

For this year’s Original Utah Uke Fest, I wanted to come up with a collaborative art project that we could celebrate being able to come together again with. What if we had a big string art project ready to go, all nailed up with no strings yet? Attendees could add strings to it throughout the day and by the end we could take a photo to share …

It was such a success (the picture doesn’t really do it justice), the leader of the Salt Lake Strummers wanted to hang it up in her new music studio. I was grateful it found a permanent home and will live beyond the one day event.

A big thanks to Christopher McAfee, of the Art City Ukulele Fellowship, for volunteering to prepare the board and pound the nails. THANKS CHRIS!

21 Pilots pull out the Ukulele stops for Campfire Medley

A fun medley filmed 9/4/21 at Summerfest in Milwaukee Wisconsin from from the first Twenty one pilots performance since 2019. There are some moments when the ukulele is the only instrument accompanying the vocals. You can tell the audience is having a great time.

You can also see Tyler toss his Kala ukulele into the crowd at a live performance at MTV’s VMA 2021 here:

Ukulele meets Animation in ambient MXMTOON Video

A lovely song with some cute animation. I heard about this artist through Ukulele Hunt and then did some digging on her youtube channel. She has some great music worth exploring if you appreciate chill dulcet music.

By the Sea : Lili

Cute little beach song by Lily Gonzales, aka Lili. Read more about the song at NME.

Ukulele Heavy Vance Joy : Missing Piece

A great new ukulele heavy single from Vance Joy …

Ukulele Playing Lego Robot

Just for fun!

Humanity is yet safe from the robot uprising, but it made me smile.

The Song Release Cycle Part 1 : Audio

What goes into releasing a music single? It’s easy enough to do a quick video capture of a song you love to sing with ukulele and post it on YouTube or Facebook, but what do you need to do to release a song that will be available on iTunes, Amazon, Spotify, etc.. More importantly, what can you do to see that the song has a small chance of getting downloaded amid the millions of other selections out there?

These are questions I’m still answering for myself, as I have a goal to release more ‘produced’ singles. Though I’m fairly comfortable with live performance and quick video captures that don’t involve multitracking, I’d like to produce ‘fuller arrangements’ that use some or my other instrumental skills along with my ukulele and voice. However, I keep getting bogged down in the process, stuck in a perpetual loop of rehearsing songs I plan to record (always next week). If this sounds familiar, keep reading.

I sat down last night for a couple of hours and thought about what’s holding me back and how I can streamline the process of producing and releasing a single with an accompanying music video (something that seems essential to me in today’s visually oriented society). Here is a flowchart I put together this morning that outlines the process of working through releasing a single:

I’ve left a blank spot at the top to put in the name of the song you’re working on. From there it divides into two categories, the audio and the visual. Let’s talk about the audio first.

Audio Workflow

• Choose a song or write a fresh one.
• Arrange: If you’re just arranging for ukulele and voice (or an ukulele instrumental), you’ll still need to commit to what strums, fingerpicking, licks, tabs and leads you want to include in your song. If you want to add bass, percussion, keys or a separate lead instrument (pennywhistle, trumpet, flute: whatever you or your friends play), this is the time to write it out (let’s set improvisation aside for this discussion).
• Rehearse: Now that you know what you want to add to the song, it is time to rehearse all the individual parts (or get other players to rehearse them if you’re collaborating).
• Record: Once you feel really comfy with your arrangement, it is time to start recording. Recording freaks me out. One of the problems that has set up blockages for me is the process of setting and monitoring levels. My voice has a very wide dynamic range (meaning I can sing very soft and very loud). I can’t tell you how many recordings I’ve ruined by just singing a little TOO loud (which causes digital clipping … a less than pleasant noise that renders tracks useless). Finally, I bought a Zoom F6 field recorder with 32-bit float point recording with which setting levels and digital clipping are now a thing of the past (thank Heaven!). I’m now able to record without worrying I’m going to ruin a take by not constantly monitoring my levels and just concentrate on making music.
• Mix: After recording all the individual parts (with a metronome or click track) it is time to upload your tracks into a DAW and mix (I’m a long-time user of Sonar, which is now free for you to use!). I’m fine with mixing, if I can just get over the recording hurdle it is all downhill from here. Mixing usually involves getting the levels balanced, making sure the vocal is not buried, panning tracks, and maybe adding a little EQ here and there. This is also the chance to add reverb or other effects.
• Master: This is the final EQ and sweet spot massaging that the mixed recording gets. I’m not a mastering guru. Thankfully, there are quite a few options out there on Fiverr (many which include mixing), as well as automated services that aren’t too expensive. It’s good to know your limitations and hire out when you need to.
• Upload: Once you’ve got your mastered track it is time to upload it to a distribution service, which will send your track out to the world. Amuse has a great breakdown of music distro services out there. NOTE: To upload your track, you are going to need your cover art ready to go.

Tune in next time for a breakdown of the visual component of music distribution and why it is a good idea to add visuals.

Ukulele Camps & Happenings in June for Utah County

Fun, new ukulele summer camps, based on 10+ years of experience teaching new ukulele players, are coming this June. These updated camps have new music, updated materials and streamlined flow. Beginner camps will get you a smart start on the ukulele or be a great review for anyone who needs a refresh. Advancing camps and Happy Valley Ukes will help take your playing to the next level in a fun, social atmosphere.

• Ukulele at the SCERA in OREM is offering 3 camps in June, two 4-day UKULELE KIDS CAMPS (levels 1 & 2) and UKULELE BOOTCAMP 3.0 for Adults and Teens.
• The Arts Center in American Fork will be concurrently offering two 5-day UKULELE KIDS CAMPS, with a beginner section and an advancing section for return students (or students who already know their basics).
• HAPPY VALLEY UKES, for teens and adults, will begin meeting on Wednesday evenings in June, stay tuned for upcoming details!

Be sure to register early for the camps, as they often sell out.

Ukulele Kids Club donates 10,000 Ukulele to sweet little Girl at the Hospital

You can find out more about the Ukulele Kids Club on Facebook or go to their site to make a donation.

“My new ukulele won’t stay in tune. Is there something wrong with the tuners?”

I’ve heard variations of this many times, usually from new players. Today, I read from a new banjolele player who thought it might the drum head (no, it isn’t the drum head). People just don’t realize how stretchy new strings are when they first start out and this is a big source of frustration for some.

An Overnight Fix to Get Your Uke in Tune Quickly

New strings usually take constant tuning until they ‘settle in’ – this can take anywhere from days to weeks. One trick that has worked for me to speed up this process is to tune the ukulele up a whole step higher – ADF#B (which is a standard tuning in some places, so I’m not worried the tension is going to ruin my ukulele); I then let it rest overnight and retune to GCEA the following day.

There are other tricks, which involve stretching the strings with your fingers, but I’ve heard this can cause the strings to stretch unevenly, which could lead to other problems down the road. Although, I don’t have experience with this happening, I stopped recommending this kind of string stretching because it does seem plausible.

So, if you can wait 24 hours, the overnight ADF#B fix described above has been a solid way to cut down on weeks of frustration for me when I install new strings or buy a new ukulele (which probably happens a little too often).

Glendale Utah Ukulele Club Greets the First Lady with 21 Pilots Cover

This week in Utah the First Lady was serenaded by an awesome group of middle school ukulele players. There’s a interview with the teacher prior to the performance that was great to listen to and some video of the “House of Gold” cover on KSL News. Simply delightful.